Grimm's Fairy Tales Illustrated Collection: Edited by Frances Jenkins Olcott with Illustrations by Rie Cramer, by Jacob and Wilhelm Grimm
1922, The Hampton Publishing Company, New York
Like a puzzling koan, these folktales are an open invitation for the reader to ask oneself "What can I learn from this? What life-lesson is the storyteller trying to pass on?" Instead of getting bogged down in the sexism, materialism, and gruesome violence (of which there is no shortage), I found that I was able to see a deeper meaning, a message which whispers fear not, it will all work out in the end somehow.
Tolkien writes of the "eucatastrophe", the opposite of a catastrophe, the happy ending where everything turns out alright: despite their evil magic and malicious lies, somehow the schemes of the wicked come to naught and the True Bride unveils herself to her true love the Prince; despite being cruelly killed by his elder brothers, our hero is brought back to life by his friends and rides to the rescue on a white steed; the tale which began with poverty and abuse ends in wealth and love and happiness. Sometimes, yes, happy endings can seem contrived, even saccharine or schmaltzy. But there are times when we really, desperately need to hear someone tell us that happy endings are possible, even in the grimmest of circumstances. And the Brothers Grimm deliver these eucatastrophes in abundance.
However, there are a few tales in the mix that simply don't stand the test of time. "King Thrushbeard" gaslights his new bride in order to "break her" of her haughtiness and rude behavior towards her many suitors. "Clever Hans" is annoyingly repetitive, incongruously violent, and somehow Hans is rewarded in the end with marriage to his sweetheart despite showering her in the freshly gouged-out eyes of livestock (yes, really). "Little Brother and Little Sister", in addition to having a very uncreative title, seems like one long shaggy dog story that, despite featuring animal transformations, a murder, and a resurrection, meanders without direction and only produces a happy ending as the result of (if you'll pardon the technical term) a complete ass-pull. Even several of the really excellent stories — "The Nixie of the Mill-Pond", "The Six Swans", "Mother Holle", "The Two Travelers" — could benefit from a good editor.
Overall, Grimm's Fairy Tales might be better-suited to an adult audience than a young one; young children may find the archaic language difficult to follow, and adults will be hard-pressed to answer their inevitable questions about why certain characters choose to be so mindlessly cruel, so naively trusting, or to do the thing that they've been explicitly warned not to do on two previous occasions. Still, if approached with an open mind and a childlike sense of wonder, these classic tales do have deep, mythic lessons to teach us... lessons that can still resonate in the hearts modern readers of all ages.
